Unthinking respect for authority is the greatest enemy of truth

Welcome to Infoshop News
Tuesday, February 09 2010 @ 08:47 PM UTC

While Jay-Z and Camron Beef: White Power Hip Hop Flourishes

EuropeGerman rapper Fler wears finger-thick gold chains and big baggy jeans, but his rhetoric would have made Adolf Hitler proud. In his recent album, New German Wave, the blue-eyed, baby-faced rapper rhymes, "Black, red, gold, hard and proud ... believe me, my mom is German." In the accompanying video, Fler struts through Berlin, while Aryan-looking thugs wave an enormous German flag and battle with swarthy immigrants. And Now...Aryan Rap
By Ulrich Boser

German rapper Fler wears finger-thick gold chains and big baggy jeans, but his rhetoric would have made Adolf Hitler proud. In his recent album, New German Wave, the blue-eyed, baby-faced rapper rhymes, "Black, red, gold, hard and proud ... believe me, my mom is German." In the accompanying video, Fler struts through Berlin, while Aryan-looking thugs wave an enormous German flag and battle with swarthy immigrants.

Meet the Fatherland's new shock troops: German rappers scaling the pop charts with violent, nationalistic lyrics and building a fan base that includes legions of neo-Nazis. Fler's album, for instance, debuted at No.5 within a week of its May release and is set to become certified gold.

The growing popularity of the genre threatens to energize a growing far-right movement here and has pushed the government to censor rap albums for their sadistic content. "[Rap lyrics] are becoming increasingly pornographic, violent, and racist," says parliamentarian Monika Griefahn. "We need to restrict it in order to protect our individual rights and our young people."

For years, German rap had been about as edgy as Neil Diamond with sweet boy-band lyrics about school and sports. A few years ago, one hip-hop group scored a hit singing about how cool their sweaters looked. But recently, German rappers like Fler, Bushido, and Sido have been emulating American gangsta-style hip-hop and writing lurid, offensive lyrics that glorify violence and crime. And in an effort to be truly provocative in a country where overt displays of nationalist fervor have long been taboo, some rappers have been openly flirting with fascism: In his recent bestselling album, Bushido rapped, "Salute, stand at attention, I'm the leader like A." That is seen as a reference to Adolf Hitler, though the rapper denies it.

To be sure, the far right will not invite the rappers to headline a rally anytime soon. Although many neo-Nazis praise the lyrics, they believe that rap strays far from the Aryan ideal because of its African-American roots. For their part, the rappers deny being extremists. "I think skinheads suck. I've gotten into fist fights with them," says Fler. "I don't want to put down other minorities. I'm just saying that I think it's cool to be German."

Dangerous words. But the music often goes well beyond simple declarations of pride--Fler advertised his new CD with a quote from Hitler: "On May 1st, we'll shoot back"--and that scares many here. "This might all be a way to sell records, but it promotes National Socialism," says antiextremist activist Jorn Menge. "Such a mix of patriotism and violence in music is very dangerous."After a recent public outcry, the government placed some of the more violent titles on a watch list. The designation requires more than an "explicit lyrics" sticker: If an album is censored, it can't be advertised or sold to anyone under 18.

The sanctions haven't had much of an impact on the music's popularity, however, especially in formerly Communist East Germany. With 30 percent unemployment and a booming crime rate, many young people in the east say that they relate to the depictions of violence and drugs. Appeals to ultra-nationalism also play well: In September's parliamentary elections, the neo-Nazi party quadrupled its support. Indeed, when Bushido gives concerts in the east, neo-Nazis ask him to sign their shaved heads.

At a recent Fler concert outside the eastern German city of Dresden, the crowd roared with approval when the young rapper stormed across the stage, wearing a camouflage jacket and a baseball cap. "He really speaks to young people,"says Stefan Sbiegay, 18. "We want to be proud to be German." Plus, Sbiegay says, "I understand what he is saying. When I listen to American rappers, I only understand half of the lyrics."

But not everyone was cheering. Klaus Grenga, 24, had never listened to Fler before the concert; a friend had brought him along. "I can't really understand the words that well," he says loudly over the thumping bass. "But the music is terrible. Give it a few years, and people will be sick of it." And by then, perhaps, people will be sick of the lyrics, too.

You Can peep the Video Here
http://mkane.gnn.tv/blogs/12374/And_Now_Aryan_Rap

http://www.usnews.com/usnews/news/articles/060123/23berlin.htm

Trackback

Trackback URL for this entry: http://news.infoshop.org/trackback.php?id=20060203141010646

No trackback comments for this entry.
While Jay-Z and Camron Beef: White Power Hip Hop Flourishes | 6 comments | Create New Account
The following comments are owned by whomever posted them. This site is not responsible for what they say.
While Jay-Z and Camron Beef: White Power Hip Hop Flourishes
Authored by: Anonymous on Friday, February 03 2006 @ 10:26 PM UTC
*blink * blink*
wtf
German w.p . rappers???
incredible irony and pathetic confusion
While Jay-Z and Camron Beef: White Power Hip Hop Flourishes
Authored by: Anonymous on Saturday, February 04 2006 @ 07:44 AM UTC
What, you think rock music was created by white people?
WP hip hop is dumb
Authored by: Anonymous on Saturday, February 04 2006 @ 12:48 PM UTC
? no but still it didnt espouse racial supremacy when it was adopted (co -opted) used by white rock n rollers

still makes no sense to have white power hip hop .
WP hip hop is dumb
Authored by: Collin Sick on Saturday, February 04 2006 @ 06:33 PM UTC
It's very sad to see hip hop being used to promote such garbage- nationalism. There's an MC in Israel named Subliminal, who is also known for his nationalist lyrics, thankfully though, hip hop is still a art form on the side of the people, even as corporations push the sex-drugs-murder artists (G-Unit, most notably) there are still the Kanye's, the Talib Kweli's, and P.E.'s, and thousands more. The challenge now, is to marginalize nationalist voices, and force them out of the hip hop community, be they in Germany, Israel, England, or here in the US of A.
WP hip hop is dumb
Authored by: Anonymous on Sunday, February 05 2006 @ 09:04 AM UTC
"? no but still it didnt espouse racial supremacy when it was adopted (co -opted) used by white rock n rollers"

You're missing the point. Rock is as much Black music as hip hop is. White rock n' rollers co-opted it, and then white supremacists used it as a medium. Now you have white hip hopers co-opting hip hop, and eventually white supremacists will use it as a medium.

It's not like this guy is the first white guy to co-opt hip hop.
More on Racists
Authored by: Anonymous on Sunday, February 05 2006 @ 02:04 PM UTC
"You're missing the point. Rock is as much Black music as hip hop is."

Absolutely, as is "skinhead music" originating with rocksteady and ska, the father and grandfather of reggae, in Jamaica.

"White rock n' rollers co-opted it, and then white supremacists used it as a medium. Now you have white hip hopers co-opting hip hop, and eventually white supremacists will use it as a medium."

I would not describe it as _completely_ coopting - certainly the record companies and radio stations co-opted jump blues culture to their own purposes

While rock and roll very much has african-american origins in jump blues, it is equally indebted to hillbilly-boogie. Hillbilly-boogie in turn was rooted in boogie-woogie and country-blues. Country-blues was a genre with massive cross-over between african-american and white musicians. The people of the Appalachians adopted the African-American's banjo while the blacks adopted the white musicians' guitar.

"It's not like this guy is the first white guy to co-opt hip hop."

Really! Nor is he the first white supremacist to co-opt the music of black people. White supremacist skinheads not only co-opted the name of skinhead from black people, but the music, clothing style as well much of the speech.

I once worked at a bookstore where the owner came into possession of some old KKK pamhlets from the early fifties. It is filled with racist epitaphs against "#$$%^# music", namely rock and roll. It is ironic that racist rock and roll music has become the main tool of the white supremacists today.